“Baikonur 97” explores immigration and the duality of identities through the use of my family’s photographic archive. The piece presents a surreal narrative that critiques and parodies the negative connotations immigration receives nowadays on mass media reports that often refer to migrants as “a plague of invaders and aliens”.

“Baikonur 97” is currently partially exhibited at Les Rencontres de La Photographie d’Arles, 2017.